Traditions | Osterbaums

This Easter decoration is simple to make and is an easy way to bring a little spring indoors

Osterbaums have a long history in Germany. Sometimes trees outside are decorated for Easter, but more often, branches are brought into the home. Blossoming boughs – perhaps cherry or blackthorn – are particularly pretty, or those with catkins such as pussy willow or hazel. It’s traditional to adorn them with painted or dyed eggs, though you could also use feathers or ribbons – anything colourful that captures that feeling of spring.

Photography by Sussie Bell. Styling by Selina Lake/Living4Media

This idea is from the March issue of The Simple Things, which you can still buy from our online store and includes lots of ideas for celebrating the season.

More from our blog…

More Easter inspiration…

Learn | Basic Origami Folds

The Japanese art of folding paper into shapes and figures is a rather pleasant and mindful way to spend an afternoon. Here’s how to get started.

Before you begin, it’s a good idea to learn a few of the basic folds. Once you have these under your belt there’s actually quite a lot you can do, so it’s satisfyingly quick to get to the stage where you can make small paper shapes. Buy yourself a cheap pack of origami paper (it just needs to be square, basically) and start with some folds. Engaging in such activities not only sparks creativity but also opens up opportunities for craft work at home, allowing you to turn a simple hobby into a productive and enjoyable way to spend your time

Mountain folds

Nearly all origami folds are either mountain folds or valley folds (see below). A mountain fold is any fold where the crease is pointing up and the paper is bending downwards - like a mountain. Take a square or paper, fold it in half any way you like and then place the paper, mountain style, with the two edges on the table and the pointy bit at the top.

Valley folds

These are simply the opposite of a mountain fold. The edges of the paper are pointing upwards and the crease is at the bottom on the table, resembling a valley. It’s the same as a mountain fold, just upside down. You can see some examples of valley folds in the top line of the folds diagram above. 

Squash folds

This gives 3D shape to a piece of origami. You slightly prise open a fold, crease it in the opposite direction, and then flatten it again. 

Reverse folds

You can have inside reverse folds or outside reverse folds; they just go different ways. They’re most famously used to make origami cranes* but are also regularly used to make heads and tails for lots of animals. In an inside reverse fold, a small fold is made on an already folded piece of paper and then unfolded before being pushed inside out into the main fold. With an outside reverse fold, the small fold sticks outwards of the paper rather than inside. You can see an inside reverse fold in the bottom row of the diagrams above.

* Cranes are a classic origami make. Japanese folklore says that if you fold a thousand cranes, the Gods will bring you good fortune.

To see diagrams and step-by-step instructions for all these folds, visit http://www.origami-instructions.com/, which also has instructions for lots of other folds and basic origami patterns. In our March issue we learned to fold origami blossom from the book Blossom Origami by Clover Robin (Nosy Crow). Find the instructions on page 42. 

Buy this month's The Simple Things - buy, download or subscribe

More fun with paper…

More from our March issue…

Wellbeing | Slowing Down

There are plenty of lessons we can learn from nature, but one of the most important is that nature is never in a rush

There’s a valuable lesson for most of us here as we hurry around from one task to another, rarely taking time to pause and reflect. We’re increasingly impatient, seeking instant gratification. We’ve lost the ability to be bored, to idle away an afternoon feels wasteful and indulgent.

Yet this downtime is part of our cycle just as it is in the natural world. We too need time to germinate, grow and produce, followed by fallow periods of rest and rejuvenation. Often the expectation is that we spend most or all our time in the productive stage, but if we don’t take time to find new inspiration and let our minds wander, we soon end up burnt out or stuck in a creative rut.

Neuroscientists now understand what happens in our brain when we stop and do nothing and have found that this is when creative and intuitive thinking happens. Rather than filling your time with more stuff to do and rushing to finish so you can move on to the next thing, allow yourself some time to do nothing and let your mind wander. Often you’ll find that your best ideas or solutions spring into your conscious mind when daydreaming.

Lie down on a rug and look at the sky for a while and see what thoughts arise. Try to be patient and let events in your life take their natural course as they do in nature. Plant some seeds and observe how with daily watering and sunlight they slowly grow into seedlings and plants producing fruit, vegetables or flowers. Slow down and observe, listen, reflect, and ponder. In the words of Ralph Waldo Emerson, ‘Adopt the pace of nature: her secret is patience.’

The words above are an extract from our wellbeing editor’s new book Just Add Nature by
Rebecca Frank (National Trust Books, out 11 April).

Buy this month's The Simple Things - buy, download or subscribe

More ways to go slow…

More from our blog…

Language | Buttons

We defy anyone not to smile at the sight of a tin of buttons, so we’re taking a moment to consider the humble button and its place in the English language.

The word ‘button’ comes from the Old French ‘boton’ meaning ‘bud. ‘Bouter’ means to thrust or push - like a bud bursting into bloom, you see? - and we guess, like the way a button pushes through a button hole. It’s all starting to make sense. It’s striking how much buttons crop up in metaphors, sayings and phraseology, though. 

Should you be ‘as bright as a button’, you’re probably smart and quick-witted enough to spot the double meaning of bright as in shiny and bright as in clever. Or perhaps you’re as ‘cute as a button’, a phrase some think refers to a button quail, which were allegedly very cute little birds indeed. 

If you’re less cute and more prone to angry outbursts you might ‘bust your buttons’ in reference to Bruce Banner, whose shirt would bust open, buttons popping all over the place, whenever anger turned him into his alter ego, Hulk. On the other hand you might bust your buttons because you have swelled with pride, although perhaps not with pride at your own sewing skills.

And don’t boast about the source of that pride too much or you might be asked to ‘button your lip’, a phrase originating in The States, used as a (slightly) politer way of asking someone to stop talking. This is less likely to be a problem if you’re the sort of person one would describe as ‘buttoned up’, meaning excessively conservative in appearance or approach; not the sort to loosen your collar, much less let your hair down or chat away garrulously. 

Fascinating stuff. And if you wish to share it with friends who seem less fascinated than we are, you may want to ‘buttonhole’ them, that is to grab them by the buttonholes on their coat to prevent their escape while you talk at them. 

And with that, we’ll button it. 

The buttons pictured above are from our March issue’s back cover, the first of a new series we’re calling ‘Treasures’. We hope you like it.

Buy this month's The Simple Things - buy, download or subscribe

More things we treasure…

More from our blog…

Poetry | Carpets of Flowers

In our March issue, we look at outings where you can see flowers en masse. Here are a few poets who were inspired by the sight of hosts of golden daffodils, bluebells, heather and more.

Wordsworth’s Daffodils

We’ll start with the ‘daddy’ of flower carpets. “Continusous as the stars that shine and twinkle on the Mily Way, They stretch’d in never ending line along the margin of a bay. Ten thousand saw I at a glance, Tossing their heads in sprightly dance.” Wordsworth was wandering (lonely as a cloud) around Glencoyne Bay in Ullswater with his sister Dorothy when he spotted the daffs that were to inspire one of the most famous poems of all time. 

Browning’s Snowdrops

Always here early in the year and then gone so fast, Robert Browning’s snowdrops in ‘The Lost Mistress’ are all about the fleeting magic of those carpets of little white bells, using them as a metaphor by which to compare his neverending love: “For each glance of the eye so bright and black, Though I keep with heart’s endeavour, Your voice when you wish the snowdrops back, Though it stay in my heart forever.”

Stevenson’s Heather

Robert Louis Stevenson’s ‘Heather Ale’ is all about the dark magic of an ale brewed from heather and the magical sight of the carpets of blooms that made them. “From the bonny bells of heather They brewed a drink long-syne, Was sweeter far than honey, Was stronger far than wine.” The flowers, the ale and the legend are all intertwined in mystical fashion in this celebration of the wildness of the heather flower. 

Anne Bronte’s Bluebells

Bronte views the bluebells not in carpets but each as its own little person: “A fine and subtle spirit dwells In every little flower, Each one its own sweet feeling breathes With more or less of power.” The sight of one amongst a carpet of other flowers brings back to her memories of childhood and deep, and slightly disturbed, feelings. 

If you’ve been inspired to wander among the daffodils, too, turn to page 58 to read our feature, ‘Show Time’ by Cinead McTernan, in our March issue.

Buy this month's The Simple Things - buy, download or subscribe

More from our March issue…

Make | Natural Watercolours

In our March issue, we met artist Caroline Ross who makes pigments and paints from natural materials, largely earth. We were inspired to give other natural materials a go. Here are a few ways of making natural paints and dyes from things growing nearby or sitting around your kitchen.

1. Onion skin - makes beautiful pinks and yellow colours. Boil in water, strain, cool and use as a fabric dye. 

2. Beetroot - for a lovely deep pink, boil beetroot for a couple of hours then blend and strain through a muslin to make paint. 

3. Blueberries - make a blue or purple paint when you mash, strain, mash again and then add a little flour to the juice to thicken.

4. Spinach - create a green paint by steeping the leaves in water.

5. Paprika - mixed with water makes an easy orange paint. 

6. Wood ash - mix with a little water to make grey.

Turn to page 46 of the March issue to meet artist Caroline Ross and find out about the earth pigments she uses in her painting.

Buy this month's The Simple Things - buy, download or subscribe

More from our blog…

More painting inspiration…

Listen | Time after time playlist

Our latest playlist is inspired by the March clock change to British Summer Time. You can take a listen on Spotify here.

The March BRIGHT issue of The Simple Things is available to order from Pics and Ink now.

We publish a playlist in each issue of The Simple Things – you might enjoy our playlist celebrating spring light or our ‘vårdrypp’ playlist, too.